CROSS CULTURAL MANIFESTATION IN MULLAH JAZARĪ’S VIEWS ON RELIGION AND SUFISM

Authors

  • Tawfeeq Alghazali College of Media, department of journalism/ The Islamic University in Najaf, Najaf, Iraq.
  • Hussein Basim Furaijl College of Pharmacy/ University of Al-Ameed, Karbala, Iraq.
  • Nada Sami Naser Department of Arabic Language, College of Education, Sawa University, Almuthana, Iraq.
  • Ali Salman College of Law/ Imam Ja'afar Al-Sadiq University/Iraq.
  • Nour Rahim Nimah Department of Sciences/ Al-Manara College for Medical Sciences/ (Maysan)/Iraq.
  • Gilan Haider Hadi Collage of Nursing, National University of Science and Technology, Dhi Qar, 64001, Iraq.
  • Najim Aubed Dawod Al-Nisour University College, Nisour Seq. Karkh, Baghdad, Iraq.
  • Median Umran Mahmood Altimeemi Department of Media -College of Arts, Al-Esraa University/Baghdad, Iraq.
  • Zahraa Tariq Sahi Department of Dentistry, Al-Zahrawi University College, Karbala, Iraq.

DOI:

https://doi.org/10.24204/ejpr.2024.4464

Keywords:

Divine Manifestation, Sufism, Religion, Love, Beauty

Abstract

Mullah Jazarī’s Sufi and mystic poetry blends the Kurdish and the Arabic languages under the influence of the Persian and Turkish tradition of poetry. This is manifested as a cross-cultural element in his poetry. This study examines this cross-cultural manifest Aron in Mullah Jazarī’s poetry through his poetical expressions on religion and Sufism. The main strength of his poetry is the blend of religion and Sufism in a symbolic and allegorical portrayal of the concepts of love and beauty of the Divine. There is a dearth of studies on the Divine aspect of Beauty in Mullah Jazarī’s Sufi poetry. This study adopted a historical and descriptive research design to collect and investigate evidence of the cross-cultural manifestation in Mullah Jazarī’s poetry. Both primary and secondary data were used from available sources to fill the literature gap. The study found out that love and beauty are two most fundamental themes of Mullah Jazarī’s poetry, manifested through a symbols and analogies. Due to its mystic approach, the readers are enchanted by the manner in which the poet unites the love and beauty of a woman with the divine mystical experiences.

Published

2024-05-26

How to Cite

Tawfeeq Alghazali, Hussein Basim Furaijl, Nada Sami Naser, Ali Salman, Nour Rahim Nimah, Gilan Haider Hadi, Najim Aubed Dawod, Median Umran Mahmood Altimeemi, and Zahraa Tariq Sahi. 2024. “CROSS CULTURAL MANIFESTATION IN MULLAH JAZARĪ’S VIEWS ON RELIGION AND SUFISM”. European Journal for Philosophy of Religion 16 (2):501-11. https://doi.org/10.24204/ejpr.2024.4464.

Issue

Section

Research Articles