RITUAL AND REPRESENTATION: THAI BUDDHIST ART AS RELIGIOUS PERFORMANCE AND IDENTITY

Authors

  • Tang Enda Faculty of Fine and Applied Arts, Burapha University, Thailand
  • Liu Jian Faculty of Fine and Applied Arts, Burapha University, Thailand
  • Chen Yuxuan Faculty of Fine and Applied Arts, Burapha University, Thailand

DOI:

https://doi.org/10.24204/ejpr.2024.4456

Keywords:

Thai Buddhism, Religion, Religious Performance, Cultural Identity, Rituals

Abstract

This study explores the religious dimensions of Thai Buddhism through the interplay between ritual and art, and its impact on Thai identity. It investigates how art underpins Thai Buddhist rituals by examining the nature and role of prominent ritual and religious practices. The research focuses on temple art and artistic elements such as murals, statues, and other features that transform ritual spaces into sacred zones during significant festivals like Visakha Bucha and Makha Bucha. Additionally, it includes an analysis of sand mandalas, which symbolize temporality and engage participants in their creation and observation. The study also addresses the ethnoreligious aspects of Thai folk music (Luk Thung) and dance-drama (Khon), highlighting their roles in reinforcing Buddhist institutions and societal cohesion. By examining case studies such as Loy Krathong and the Phuket Vegetarian Festival, the study demonstrates how religious and cultural performances shape Thai identity. Ultimately, the research asserts that Thai Buddhist art functions as both a symbol of religious principles and an active medium for religious representation and performance, thereby affirming and enacting Thai national and sacred identity.

Published

2024-05-26

How to Cite

Tang Enda, Liu Jian, and Chen Yuxuan. 2024. “RITUAL AND REPRESENTATION: THAI BUDDHIST ART AS RELIGIOUS PERFORMANCE AND IDENTITY”. European Journal for Philosophy of Religion 16 (2):332-49. https://doi.org/10.24204/ejpr.2024.4456.

Issue

Section

Research Articles