FROM RELICS TO REELS: EXPLORING THEOLOGICAL NARRATIVES IN CINEMATIC DEPICTIONS OF ARCHAEOLOGY

Abstract

This paper explores the interplay between cinema and archaeology, focusing on how films interpret and represent historical and theological narratives. Initially, it reviews the evolution of film as a medium that not only entertains but also serves as a conduit for historical education, emphasizing the creation of new cinematic forms that enhance the depiction of archaeological findings. This study then assesses the accuracy of historical representations in film, analyzing the production processes to determine their fidelity to archaeological evidence. Specifically, it examines two historical films, "The Building of the Army" and "The Last Emperor", evaluating how they reconstruct historical events and convey the philosophical ideas of the screenwriters. The analysis reveals that these films achieve a high degree of historical accuracy, with scene layouts and locations corroborating archaeological records with approximately 90% accuracy. Furthermore, the films significantly enhance viewers' historical understanding, increasing it from 67% to 91%, as evidenced by their engagement and the perceived authenticity of the recreations. This paper argues that the fusion of cinematic and archaeological methodologies not only fosters interdisciplinary integration but also deepens the audience's engagement with historical and theological themes. By enhancing the viewer’s appreciation for history through accurately depicted and philosophically rich narratives, films contribute to both educational outcomes and the broader discourse on the intersection of film, archaeology, and theology.