HISTORY, NARRATIVES, AND AESTHETIC EVOLUTION OF CHINESE YOUTH FILMS (1930-2024)

Abstract

This study aimed to elucidate the intrinsic artistic laws and aesthetic characteristics of Chinese youth films, thereby facilitating a more profound comprehension of the cultural transformations and spiritual outlook of contemporary Chinese society. By examining the evolution of Chinese youth films across different historical periods, it becomes evident that in the initial period (1930-1970), youth films predominantly depicted romantic idealization and emphasized the spiritual aspects of young people. With the advent of reform and opening up, youth films in the next phase (1970-2010) began to shift their focus towards the inner world, philosophy, spirituality, and the confusion of reality experienced by young people. This shift is exemplified by films such as Lushan Love and Sunny Days, which received widespread acclaim. When this genre entered its maturity stage (2010-2024), youth films exhibited a diversification of expressions, with a particular focus on campus love. However, they also encountered the challenge of narrative homogenization in subsequent stages, as evidenced by films such as To Our Lasting Youth and Small Times. This study also explored the main factors affecting the development of domestic youth films through empirical analysis. The study found that box office revenue, the brand value of actors and directors, and changes in narrative style and aesthetic orientation were important factors affecting the development of domestic youth films. At the same time, social changes, technological progress and audience demand have also had a profound impact on the development of youth films.