Singing the Soul: Philosophical Reflections on the Integration of Vocal Performance and Stage Presence in Bel Canto

Abstract

This study delves into the profound interplay between philosophical thought and bel canto singing, examining how philosophical insights inform vocal practice and artistic expression among singers and instructors. Our findings reveal that singers value the process of transcending physical limitations—particularly tension—to achieve vocal freedom, which is essential for authentic emotional expression. Key elements such as breath control, vocal technique, vocal color, and resonance are identified as critical for effectively conveying emotions and ensuring emotional impact on the audience. Philosophically, the singers' approach to achieving physical freedom through technique resonates with Aristotelian principles of form and function, suggesting that mastery of form enhances functional execution. Breath is conceptualized as a powerful force, echoing Cartesian mind-body dualism by bridging the physical and emotional aspects of singing. Additionally, the pursuit of optimal resonance is likened to the Platonic ideal of reaching for perfect forms, enhancing both sound quality and emotional delivery. The relational dynamics between performers and audience are framed through Buber’s I-Thou existential philosophy, emphasizing the shared interpretive experience as a form of deep interpersonal connection. Furthermore, the role of the singer as a storyteller is discussed in relation to Aristotle’s concept of mimesis, highlighting how singers embody and convey the narrative essence of music. The study also touches on the universal communicative power of music, paralleling Wittgenstein's perspectives on language games, which suggest that music, much like language, forms a system of expression understood across different cultural and social contexts. Despite challenges in directly applying these philosophical concepts within practical vocal training, the integration of philosophical thought into bel canto practice is seen as profoundly beneficial. It not only enriches artistic expression and enhances stage presence but also deepens performers' and audiences' interpretative experiences of music. These philosophical underpinnings encourage a more reflective and spiritually resonant approach to singing, suggesting that the fusion of bel canto with philosophical inquiry can elevate the art form to new expressive and experiential heights