THEORETICAL STUDY OF WESTERN WIND INSTRUMENTS IN THE PHILOSOPHICAL PERSPECTIVE

Abstract

This article discusses the theory of Western wind instruments from a philosophical perspective, aiming to explore the theory of Western wind instruments. It uses the humanistic values and essential motivations in Western wind instruments to explain the significance and daily life of Western wind instruments, and exposes the cultural essence of Western wind instruments. So from a philosophical perspective, we can see the diverse presentation methods of Western wind instruments, presenting their unique beauty in timbre. The artistic and spiritual beauty created by their elegant and harmonious music is a unique aesthetic observation. Western orchestral music has played a key role in improving the comprehensive quality, personality charm, and humanistic complex of the appreciative audience, and has unique advantages throughout the entire process of modern aesthetic education. In this article, the unique beauty of Western wind instruments was first analyzed, followed by a study on the modern aesthetic education value of Western wind instruments. Attempting to reflect on Western wind instrument cultural theory through philosophical methods and exploring ways to express a stronger and more accurate understanding and feelings of Western wind instrument theory.