PHILOSOPHICAL AND RELIGIOUS DIMENSIONS OF AESTHETIC IDENTITY IN EASTERN ART HISTORY

Abstract

The various ethnic groups in the East entered the civilization period relatively early, but the process of development and change was very slow. The Eastern ethnic groups have inherited and continued the production methods, customs, social structures, ethical systems, and religious and cultural beliefs of the primitive period, while primitive thinking has a certain degree of decisive role in the aesthetic and artistic creation of Eastern art. This article aims to trace the origin of Eastern art, enhance the understanding and cognition of the aesthetic characteristics, aesthetic identification, and artistic presentation characteristics of Eastern art history. Only by correctly understanding and recognizing the dialectical relationship between Eastern art aesthetics and artistic presentation can Western scholars correct their misreading of the development of Eastern art history. At the same time, it can strengthen the rational cognition and inheritance of Eastern ethnic groups towards their own artistic culture, and promote the active construction of the national characteristics of Eastern art.