MEMETIC THEORY IN MUSIC EDUCATION: A PHILOSOPHICAL AND EMPIRICAL STUDY ON INTEGRATING LISTENING, READING, AND PLAYING IN PIANO TEACHING

Authors

  • Meilin Wang Department of Music and Arts, Faculty of Arts, Moscow State Pedagogical University, Moscow 125047, Moscow, Russia.
  • Min Xu Department of Music and Arts, Faculty of Arts, Moscow State Pedagogical University, Moscow 125047, Moscow, Russia.

DOI:

https://doi.org/10.24204/ejpr.2024.4474

Keywords:

Memetics, Philosophy, Piano Teaching.

Abstract

Music is the universal language of mankind. The process of learning music can be understood as the process of constantly copying and spreading cultural memes. The term "mime" here comes from meme theory, which is a theory that studies cultural imitation and aims to explore the evolutionary model of cultural information dissemination. According to the principle of meme theory, music education itself is a process of cultural dissemination, which is transmitted to different meme carriers through imitation and replication. At present, music education, especially instrumental music education, focuses on teaching performance skills, so there are many performers and educators who "only focus on skills". The author believes that this process should be based on the transmission of metaphysical music culture to be more in line with the philosophical meaning of education? Is education based on meme theory more effective? In order to verify this view, the author selected 20 students from a primary school and conducted a piano teaching experiment lasting 7 months. In the end, it was proved that the piano teaching model of " listening, reading, and playing" based on meme theory has a more benign improvement on students, and also revealed the philosophical significance of music education under the perspective of meme theory and the practical path of the future development of music education.

Published

2024-08-30

How to Cite

Meilin Wang, and Min Xu. 2024. “MEMETIC THEORY IN MUSIC EDUCATION: A PHILOSOPHICAL AND EMPIRICAL STUDY ON INTEGRATING LISTENING, READING, AND PLAYING IN PIANO TEACHING”. European Journal for Philosophy of Religion 16 (3):216-34. https://doi.org/10.24204/ejpr.2024.4474.

Issue

Section

Research Articles